Here it mirrors Bush there, it imitates The Foo Fighters. Musically, it sounded like the angst of the late 90s. The songs on the album didn’t reinvent the post-grunge wheel: They sang about distrust and drama, about lacking a sure-footing. Interesting enough, at least, that it landed Nickelback a major label deal with Roadrunner Records. You would be hard-pressed to say it was a great album, but you couldn’t deny that it was interesting. It was unpolished and anxious, loud and paranoid. This album was a good capstone to the post-grunge era. Still, it had an energy and a determination that would draw at least a couple of A&Rs into the band’s orbit.īy 1998, the band lost Brandon Kroeger, found a new drummer, and independently put out its second album, The State. It was messy and it was disorganized, raw and disheveled.
When Curb came out, the band consisted of Chad Kroeger and his two brothers Mike (bass) and Brandon (drums), as well as Ryan Peake on guitar.Ĭurb was not a good record by any measure. They recorded their first album of original songs, Curb, in 1996.
Nickelback started out as a mid-90s cover band in Alberta, because of course they did. They’re hardly the first band to be hated so universally - Limp Bizkit? Hootie And The Blow Fish? - but Nickelback has earned a type of hatred so potent it’s hard to fathom what they did that was so terrible to the public consciousness. There’s something about the Alberta-based band that causes this rage. Specifically, play Nickelback’s “How You Remind Me.” A near-inexplicable rage washes over the faces of the people you thought were your friends as vocalist Chad Kroeger wails, “Never made it as a wise man.” You might not live to hear the second line. The fastest way to turn a room of people against you once you’re handed the aux cable for your iPod is by playing Nickelback.
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